Another American institution is coming under severe pressure in the age of Trump. Here's my latest reporting about CBS News...
|
How will '60 Minutes' recover?
|
This is David Ellison's "60 Minutes" now.
Bari Weiss directed the housecleaning at the newsmagazine last week, and Nick Bilton signed the letter telling Scott Pelley he was fired last night, but the Paramount CEO owns the decisions and the disconcerting fallout.
When Ellison took control of Paramount, he installed Weiss and encouraged her to shake up CBS News. When Weiss picked Bilton to run "60 Minutes," Ellison met with him to discuss the program's future. And when Pelley condemned Weiss and Bilton, he signed off on Pelley's termination, according to sources with direct knowledge of the matter.
Now Weiss and co. have to recover from this crisis — which is garnering national news coverage — and rebuild "60 Minutes" while working under an unforgiving spotlight. The show always returns from summer break in September with new investigations and adventures.
CBS News staffers are texting me with practical questions: Who's going to join the show? Last month, "60 Minutes" had seven full-time correspondents; now it has only three. Can the show live up to its reputation for quality under these circumstances?
Some of their questions are impossible to answer. How much of a reputational blow has CBS suffered? How much of this turmoil will Ellison stomach? Ultimately, is this "60 Minutes" blow-up political or cultural?
Many former "60 Minutes" staffers and other observers believe Ellison and Weiss are trying to pacify President Trump. Pelley said as much in his statement last night: "The new owner of our network" is casting the legacy of "60 Minutes" aside, "apparently to curry a moment of favor with the Trump administration."
|
Joe Pugliese/CBS News
"This is how oligarch-authoritarian takeover of media happens," former Obama speechwriter Ben Rhodes commented after reading about Pelley's firing.
But people close to Weiss insist that this is about culture, not politics. Weiss is trying to change the culture of "60 Minutes," which she sees as archaic and sclerotic, several people told me on condition of anonymity.
"It's also about ensuring that 60 Minutes — and its DNA of hard-hitting interviews, probing investigations, deep journalism — is built to survive a changing media landscape," one of the people said.
A significant number of staffers agree that "60" needs some change. I hear it during almost every source phone call I have.
But Weiss has not made this case publicly in much detail. And Pelley's words carry a lot of weight. Pelley charged that her management team recently "instructed me to inject falsehoods and bias into a politically sensitive story" and said he ignored/refused those instructions. Reporters are trying to find out what he's referencing.
I wrote for CNN.com last night that the Pelley firing is sure to trigger even more scrutiny of Weiss. Ellison's involvement yesterday shows that he continues to support her.
A TV news insider with no connection to CBS distilled the drama this way: "Bari Weiss is doing the right thing the wrong way, and it's blowing up in her face. She's 100% correct that CBS News needs to change, and just about everything she's said is directionally accurate. But her fundamental mistake is that CBS News is not a startup and treating it as such is a classic business mistake."
And all of this is happening while Ellison tries to take over CNN and the rest of Warner Bros. Discovery. The Trump administration — led by a president who sued "60 Minutes" in 2024, won a settlement payment, and his complained about the show several times since then — has yet to approve the deal.
|
Here's what Weiss told CBS News staffers this morning
|
Weiss opened this morning's CBS News editorial meeting by saying, "I need to address what's transpired in our newsroom over the past two days."
"I know I speak for myself, and I hope I speak for everyone here, when I say that I'm only interested in working in a newsroom that is built on trust and mutual respect. We cannot do our work without it," she said. "That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately, we weren't able to do so, and so we had to part ways."
"We did not want that to happen, but that's the path that he chose," she added.
In private, some Weiss allies are likening Pelley's actions to suicide-by-cop, arguing that he wanted to be fired. The difference, of course, is that Pelley is now viewed as a hero by many. And his career isn't over.
Meanwhile, Pelley's allies are privately calling the CBS bosses malicious. One remarked to me, "Can you imagine the irony of this anti-woke free speech warrior not being able to handle someone speaking passionately in a meeting?"
During today's editorial meeting, Weiss made sure to praise Pelley's "amazing contributions" and his long career at CBS. She cited some of his "unforgettable stories" and said they're "the kind of stories that Nick Bilton is going to put on the air come September in Season 59 with the amazing team that's still there and hopefully from some new people that are going to be joining us."
That leads us to some of the pressing questions that TV news types are pondering right now...
|
The big unanswered questions
|
>> Will correspondents Lesley Stahl, Bill Whitaker and Jon Wertheim stay or go? And what about the producers who work with them? I'm told there are many institutionalists still at the show who truly care about the mission and want to stay.
>> If the correspondents stay, will they win assurances from management that the show's editorial independence and production quality will be preserved?
>> How much of the "60" overhaul is about cost-cutting? How much money was Tanya Simon making a year, and how much is Bilton going to make?
>> How will viewers react to all this? How much will Pelley be missed? On the one hand, he has been the heart and soul of "60 Minutes" for many years. On the other hand, as an old saying goes, "the graveyards are full of indispensable men."
>> Of Bilton's letter informing Pelley of the firing, Matt Fuller asked on X: "Why write this letter? Who's the intended audience? Who does Nick Bilton think he's convincing with this?"
>> Will Pelley take legal action against CBS? He was terminated "with cause," meaning CBS won't pay out the remainder of his contract, possibly setting up a legal tug-of-war.
>> Yesterday, a "60 Minutes" staffer source told WaPo that this week is "like being awake during surgery." What will the coming days feel like?
|
Andrew Kirell writes: I'm struck by the parallels here to what's happened at The Washington Post. In both cases, outsiders arrived amid shifting political and business winds and made clear that anyone unwilling to get on board could leave. Fine. News orgs are under real pressure, and no one thinks nostalgia is a strategy.
But at The Post, the promise of reinvention-or-bust under Will Lewis came with a battered newsroom, a mass exodus of talent, a flood of scandals, lots of internal turmoil — and a business still in real trouble.
"Move fast and break things" may work in tech. But in journalism, it's a good way to destroy what you aim to save. Institutions like WaPo and "60 Minutes" aren't content factories that can be stripped for parts and reassembled around grand ideas. They're built on talent, credibility and human trust earned over years.
And so, as we saw with WaPo, when you try to rewire the entire organization and alienate the people who built that trust, loyal readers notice — and some leave. The Post's journalists are still doing great work, landing important scoops. But ultimately, you're left with a hollowed-out institution that's potentially in an even worse position.
>> This quote from Oliver Darcy's Status dispatch stood out: "In the end, this is what Donald Trump wanted," a TV executive remarked. Weakened institutions.
|
A few more Paramount headlines
|
>> Yesterday, a group of nine press freedom advocacy groups "warned that the impending Paramount merger with Warner Bros. represents an 'existential threat to the free press, independent media, and free speech,' suggesting CNN will be the next to suffer the drastic firings and turmoil that '60 Minutes' has been going through in recent days," Josh Dickey writes. (TheWrap)
>> "The European Commission has set a provisional deadline of July 7 to make its decision" on Paramount-WBD, Lucas Manfredi reports. (TheWrap)
>> In an interview with Meg James, Paramount chief legal officer Makan Delrahim asserted that "some of these people are trying to inflict harm on" the Paramount-WBD deal "because of their own antisemitic views." (LAT)
|
The NBA Finals tip off tonight at 8:30 p.m. ET on ABC, with the New York Knicks facing the San Antonio Spurs. Let's go Knicks! 😉
|
The White House Correspondents’ Association is moving ahead with a do-over dinner: It will be held on Friday, July 24, with "significantly enhanced safety measures and new access procedures," WHCA president Weijia Jiang announced yesterday.
CNN's Betsy Klein writes that "Trump later said he has accepted an invitation to speak at the July 24 dinner, which he said would be held at the Waldorf Astoria in Washington, DC — formerly the Trump International Hotel." Read on...
|
"There's room for only one Star in this town," the NYT's Katie Robertson reports.
Yesterday, a federal judge "ordered the political news website NOTUS to hit pause on its planned rebrand as The Star, after the owner of a rival publication, the recently relaunched Washington Star, filed for a temporary restraining order in a trademark dispute."
The judge "said the order would 'prevent the public from being confused' between the two publications while the legal case continued," Robertson writes. Dovid Efune, The Washington Star's publisher, cheered the ruling, saying it "reinforces" his efforts to revive "a legendary American institution." NOTUS declined to comment...
|
>> Versant is investing in GammaTime, "a microdrama streaming platform" that will "work with Versant to develop a slate of originals with top showrunners and also utilize content from part of the company’s entertainment library," Brian Steinberg reports. (Variety)
>> McClatchy executives "touted a flood of AI-generated content as a key to solving their business woes — and pleaded with skeptical journalists to get on board" during "a contentious, off-the-record virtual town hall last month," Mark Keierleber reports. (SAN)
>> "Emily Feingold, one of Netflix’s top communications execs, is exiting the streaming giant after eight years." (Variety)
>> Longtime "Access Hollywood" producer Rob Silverstein "is teaming up with Front Office Sports for a new daily news program launching this fall." (TheWrap)
|
'Publishers in UK can opt out of Google AI search results'
|
In a first of its kind development, "online publishers can choose not to appear in the AI Overviews of Google search results in the UK," the BBC's Imran Rahman-Jones reports.
The Competition and Markets Authority says the change will "put publishers, like news organizations, in a stronger position to negotiate content deals with Google." Read all about it here...
|
More of today's tech talk
|
>> Meta "is testing a new 'Series' feature for Reels that’s designed to make it easier to keep up with serialized content on Instagram and Facebook," Aisha Malik writes. (TechCrunch)
>> X "has launched a new feature, 'React with Video,' that aims to expand the types of commentary on the platform," Sarah Perez writes. The feature "is being pitched as an alternative to the Repost button." (TechCrunch)
>> "Two-thirds of Americans play an hour or more of video games per week, according to a new report published Wednesday by the Entertainment Software Association," Jennifer Maas writes. (Variety)
|
|
|
That's that me… depresso?
|
"It's nearly summertime, and we’re all doomed," CNN's Scottie Andrew writes. Pop icons Charli XCX, Olivia Rodrigo and Ariana Grande "are releasing some of the bleakest music of their careers just in time for summer, the traditional season for party anthems and celebratory bangers."
Today's pop stars, Andrew writes, "don't seem interested in catharsis this summer." Instead, "they're not indulging escapist fantasies in their new music but planting themselves in reality with their listeners, where the vibe is negative and the end feels inevitable." How very 2026. Read Andrew's full story here...
|
The NBA's new 'signature' sound?
|
"The National Basketball Association is launching a new 'signature audio identity' that will serve as a connective tissue between the league's media and social coverage and in-arena experiences, using a new NBA Finals promo scored by 'Succession' composer Nicholas Britell and voiced by Nas to introduce the sound," Alex Weprin reports over at THR...
|
A few more Hollywood headlines
|
>> Martin Scorsese is throwing his weight "behind an A.I. start-up that specializes in image generation," and has signed on with the firm, Black Forest Labs, as a partner and an adviser, Brooks Barnes reports. (NYT)
>> Garth Brooks "is considering a sale of his catalog, eyeing roughly $2 billion for the rights to his songs and recordings, according to people familiar with the matter," AnnaMaria Andriotis and Anne Steele write. (WSJ)
>> New Antenna shows that "ad-supported streaming subscriptions, which were barely a thing at the beginning of the decade, now make up almost half of subscription video on-demand plans in the United States," Rick Porter writes. (THR)
>> "As staffers continue to empty out the offices of 'The Late Show with Stephen Colbert,' the show's official eBay store continues to turn up new finds from Stephen Colbert's 22 years in late night," Jed Rosenzweig reports. (LateNighter)
|
There's more to enjoy with CNN All Access
|
Unlock deeper analysis and exclusive videos on the stories you care about. Subscribe here.
|
|
|
|
® © 2026 Cable News Network. A Warner Bros. Discovery Company. All Rights Reserved.
1050 Techwood Drive NW, Atlanta, GA 30318
|
|
|
|
|
|
|
|
Comments
Post a Comment